Michele Bonds

Sculptural Paper Artist

Jersey City / NYC

Full biography, images, and speaking topics

  • Based: Jersey City (NYC area)

  • Medium: Layered paper relief, hand-carved, with embedded fiber and mineral elements

  • Signature Series: Cracks in the Temple, Shades of Grey, Crucible, Ashes

  • Themes: irreversibility, compression, convergence

  • Practice: layered builds of up to 100 sheets, carved by hand; surfaces that read like excavated architecture

  • Speaking/Media Topics: Irreversibility as a business skill, the discipline underneath creative life, what a law firm taught me about making art, why serious collectors buy directly from artists, creativity as a professional competency

FAST FACTS

Michele Bonds, sculptural paper artist, portrait headshot

BIO

Michele Bonds is a sculptural paper artist whose work investigates accumulation, memory, and the emotional residue held inside material. Working in layered relief, she builds surfaces that function as both structure and record, balancing control and disruption to reveal how pressure shapes form over time. Before her studio practice, Bonds spent 13 years as Chief of Staff to H. Rodgin Cohen, Senior Chair of Sullivan & Cromwell. That experience now informs the discipline, systems thinking, and irreversibility embedded in her making process. Her practice bridges intuitive making and rigorous structural logic, resulting in work that feels at once visceral and architected.

Bonds has exhibited in New York and beyond, and has spoken at Harvard Divinity School’s Program for the Evolution of Spirituality, where her work entered conversations at the intersection of material practice, psychology, and lived experience.

SELECTED RECOGNITION

  • 2025 — Speaker, Harvard Divinity School Program for the Evolution of Spirituality, "The Making of Cracks in the Temple"

  • 2025-2026 — Artist in Residence, 14C Gallery, Jersey City NJ

  • 2026 — New Jersey State Council on the Arts Grant, administered by Mid-Atlantic Arts

  • 2026 — Cake on Tuesday podcast, 2,500 listeners in first 24 hours

  • 2026 — SuperFair Brooklyn, New York, April 24 - 26

THE WORK

I build sculptural works in layered paper through accumulation and removal. Each piece develops sheet by sheet, often from dozens up to one hundred layers, until the form becomes dense and architectural. Carving follows, revealing internal structure and the logic already embedded in the build. The surface becomes a record of process made visible.

The work sits at the point where material process, human perception, and systems of meaning converge over time. These surfaces register accumulation, compression, and response. They hold the evidence of forces moving through material and through life, while presenting a present-tense clarity. What emerges is a form that carries history and stands fully in the now.

CONVERSATION ANGLES

  • The cost of a frictionless world. Why deep craft is a form of resistance and why it matters now more than ever.

  • Reinvention from the inside out. What it actually takes to leave a career that defines you and build something entirely new.

  • Irreversibility as creative philosophy. What happens to your attention and your decision-making when there is no undo button.

  • The logic that lives inside constraint. How accumulation and removal reveal structure that could not have been designed in advance.

  • How collectors build meaning over time. What living with serious art does to the way you see, think, and make decisions.

  • The studio as a system. Why the most rigorous creative practices look more like operations than inspiration.

SELECTED WORKS

Strange Love
16 x 12 in
Ashes Series

Lorette-ah
40 x 30 in
Cracks in the Temple Series

Spring Order
11 x 14 in
Crucible Series

Noirka
40 x 30 in
Cracks in the Temple Series

Stripped of color, the work foregrounds structure, shadow, and material evidence. The surface reads as built and cut, holding the record of accumulation and the physical force required to reveal what is inside.

Available for podcast interviews, panel conversations, keynote and conference speaking, artist talks, and private collector events. Full speaking topic descriptions available on request.

PRESS & CONTACT