Lorette-ah
(2023)
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Carved paper, mixed media on wood panel
40 x 30 in
Cracks in the Temple series

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Lorette-ah stands in its own fire.

Intensity is held as declaration, not effect.

Marks register as choice rather than wound.

Agency does not negotiate permission.

Tenderness remains without softening the edge.

Authorship settles into lived authority.

On this work

Lorette-ah, layered and hand-carved paper artwork by Michele Bonds, shown in contemporary interior
Lorette-ah, sculptural paper artwork by Michele Bonds, displayed in neutral interior setting

Details

Close-up views of the surface