Lorette-ah
(2023)
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Carved paper, mixed media on wood panel
40 x 30 in
Cracks in the Temple series
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Lorette-ah stands in its own fire.
Intensity is held as declaration, not effect.
Marks register as choice rather than wound.
Agency does not negotiate permission.
Tenderness remains without softening the edge.
Authorship settles into lived authority.